Stone art

Land Artist creates ephemeral stone art on the coast of the United Kingdom

Earthly artist Jon Foreman finds solace in the arrangement of the stones in eye-pleasing formations on the beach. His practice, which he calls Sculpt the World, features rocks shaped into swirling patterns as well as giant circles containing an array of rainbow hues. “This process is therapy for me,” Foreman told My Modern Met. “The simple act of placing stone upon stone in the sand is very therapeutic. I’m sure we all enjoy walking on the beach, but I find this process more immersive; to be there in nature, to lose myself in the work, to have left behind me all the stress of everyday life.

Foreman lives in Pembrokeshire, Wales, which is home to a generous coastline. “The beaches here are truly exceptional and there are so many,” he explains, “I doubt I have even visited half of them.” When he arrives on a beach, he plans to spend four hours (on average) there to create his work of art. Often times, it is with only partial planning of what the finished part will look like. “Sometimes I’ll have an idea of ​​what I would like to try but very rarely I get it fully. I like not knowing exactly how it’s going to turn out until he’s here in front of me. While many may find working without a plan intimidating, Foreman finds the unknown heartwarming. Having no preconceived idea of ​​what he will create, he finds that he is more likely to experiment and develop new facets of his work.

The arrangement with the stone showed Foreman some of his unexpected qualities. He noticed that rock, despite its strength, changes when it is grouped together; they become “malleable,” reveals Foreman. “There are so many ways to work with stone; the color, the size, the shape, the angle in which it is placed, the direction in which it faces, endless possibilities. While stone isn’t my only go-to material, it’s currently my favorite because it presents so many different opportunities.

Land art is ephemeral and will eventually be taken over by the land from which it comes. “It often becomes a race towards the end as the waves get closer,” says Foreman. “I try to stay to see the work fade away and capture the moment of impact.” It could be a poignant time, but Foreman chooses to see beauty in the short lifespan of his work. “I create using materials made from this environment for this environment. The tide brings everything back to the tide line, and I come back the next day with an empty canvas to work on. People often ask if it bothers me that the job has to go away eventually. To that I say: not at all. If anything, the fact that it’s short lived makes it more special to me.

Earthly artist Jon Foreman creates ephemeral stone art on the shores of the United Kingdom.

Land Art by Jon ForemanLand Art by Jon ForemanLand Art by Jon ForemanStone Land Art by Jon ForemanLand Art by Jon ForemanLand Art by Jon ForemanLand Art by Jon ForemanLand Art by Jon ForemanLand Art by Jon ForemanLand Art by Jon ForemanLand-Art

Jon Foreman: Website | Instagram | Facebook

My Modern Met has granted permission to feature photos of Jon Foreman.

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Stone wall

6 tourists from Machu Picchu arrested for allegedly damaging a stone wall and defecating at the temple | national

(FOX NEWS) – Peruvian police said on Tuesday that all six tourists, except one, accused of damaging the ruins of Machi Picchu and defecating at the site would be evicted, while the remaining visitor would be prosecuted.

Fox News reports that the group was arrested on Sunday following allegations that they damaged part of one of the world’s most visited tourist attractions and left excrement in the holy temple of the Sun.

The suspects initially faced up to four years in prison, Agence France-Presse (AFP) reported on Tuesday before news broke that authorities would deport most of them instead.

“The six tourists are being detained and investigated by the prosecution for the alleged crime against cultural heritage,” said Wilbert Leyva, the regional police chief of Cusco, according to local media quoted by AFP.

According to Leyva, officials found the group – comprising citizens of Chile, Brazil, France and Argentina – in a small part of the temple, where they also found part of a stone wall that had fallen. “Broken” and had cracked the ground. Authorities also reportedly found excrement in the temple.

The Argentine will now remain in Peru after admitting to playing a leading role in the alleged vandalism, the outlet reported.

Several areas of the semi-circular Temple of the Sun are said to be off-limits to visitors, AFP reported. It is believed to be one of the holiest sites in the Inca citadel of Machu Picchu, where devotees made offerings to the sun.

Machu Picchu is the first tourist destination in all of Peru and is a UNESCO World Heritage Site. Over a million people visit the ancient stones every year.

Copyright 2020 WDRB Media and Fox News. All rights reserved.

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Stone art

Stone Art Gallery / O-office Architects

Stone Art Gallery / O-office Architects


  • Area Area of ​​this architectural project Area:
    1270 m²

  • Year Year of completion of this architecture project



  • Photographs Photographs: LIKYFOTO

Text description provided by the architects. In recent decades, the Pearl River Delta (PRD) region has experienced the fastest urbanization and has become the so-called global factory, producing over 70% of the world’s daily produce. Due to large-scale urban sprawl and the pressure of a rapid industrial transition in this region, much of the former state industry has been moved from the city to the outskirts of the PRD.


These abandoned industrial sites quickly became a form of postmodern relics around the PRD’s urban area, particularly in its central city, Guangzhou. The Stone Art Gallery was one of the architectural experiments responding to the above reality. EMG Group, a local stone trading company, worked with the architect in an attempt to transform the 39e construction of YJQ Food Factory, a former state industrial site on the north bank of the Pearl River east of downtown Guangzhou.

Ground floor plan
Ground floor plan

This renovation project was aimed at a new art gallery, to showcase the art and culture of stonework, in the assembled building from the 1960s, which records almost the entire history of the YJQ factory.


In order to preserve the historical collective industrial memory of the economic era of state planning, the context of the building and the YJQ building site has been fully respected and maintained in the design scheme. The implanted mechanism that the architect designed grows with the original spatial logic.


A cross-shaped public domain is designed to form the backbone and connect the interior and exterior space. It functions like the T stage of the gallery and allows for various forms of exhibition and activity, including art performances or forums. The remaining interior space is thus designed for specific windows, a cafeteria and a lounge area. Again, a cross-shaped office platform is implanted within the precast concrete structural frame and suspended above the public domain floor, highlighting its central area.


The bottom of the new steel platform is furnished with translucent polycarbonate panels, with LED lighting installation inside. This implanted lighting vessel floats in the air of the brutal historic precast concrete structure. The architectural dialogue has been created between the new and the old, between weight and weightlessness, between the past and the future, all together form the performing background of the art of stone, art which even contains billions of years of geological memory.


Originally published November 16, 2014.

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Stone wall

xiaowei bai concrete volumes old stone wall for tea house in latvia

designer xiaowei bai proposed a guest house by placing concrete volumes in an old stone barn wall. this project transformed an old, half-ruined barn into a guesthouse for a tea maker in rural riga, latvia. the contrast between the textures, materials and geometries of the old stone wall and the new concrete pavilions complement each other in an attractive aesthetic.

the designer added seven simple concrete pavilions which are strategically composed inside the old stone wall boundary. the guesthouse offers six beds, a tea making and tasting studio, kitchen and a multi-purpose activity room for guests to experience local tea culture and retreat to town.


each pavilion is specially designed and composed to be the size necessary for each experience. volumes are tailor-made to suit tea drinking, tea making process, leisure activities and comfortable guest house accommodation. the interiors of the pavilions are lined with warm wood, which covers the floors, walls and ceilings. the smooth, natural surface contrasts with the raw concrete on the outside.


courtyards of different sizes are created between the pavilions, which bring natural sunlight and cool ventilation into the rooms. each pavilion is open to the adjacent courtyards on two sides in order to extend the interior space to the exterior nature. moreover, all the pavilions are linked to each other by these courtyards.


inside the old stone walls, a glass corridor winds between the open spaces to connect the pavilions to each other. designer xiaowei bai has fashioned different types of open spaces within the ancient boundary of the stone wall, the concrete pavilions and the glass corridor which still offer the contrast of solid and transparency, openness and openness proximity and changing materials and environments.


xiaowei bai adds concrete volumes in old stone wall for tea house in latvia

xiaowei bai adds concrete volumes in old stone wall for tea house in latvia

xiaowei bai adds concrete volumes in old stone wall for tea house in latvia

xiaowei bai adds concrete volumes in old stone wall for tea house in latvia

xiaowei bai adds concrete volumes in old stone wall for tea house in latvia

project info:

designate: Xiaowei bai

competetion: tea guest house

site: Riga, Latvia

designboom received this project from our ‘DIY submissions‘, where we invite our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: cristina gomez | design boom

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Stone wall

Legal uncertainties remain a stone wall for foreign investments: BI – Business

News Office (The Jakarta Post)

Jakarta ●
Sat, September 7, 2019

bank-indonesia, BI, investment, license, foreign-direct-investment, FDI
To free

Legal uncertainties have kept foreign investors from investing in Indonesia, especially in new or green projects, Bank Indonesia (BI) senior vice governor Destry Damayanti said in Jakarta on Friday.

Licensing processes were more difficult for investors to measure than funding or labor issues, she added. Many permit application processes do not have clear deadlines and procedures, which discourages investors from setting up businesses in the country.

“In the future, investors will be invited to invest in brownfields [existing] projects, ”she said.

The 2019 Joint European Chambers Business Confidence Index (BCI) found investors unimpressed with economic stimulus provided as part of a series of economic policy programs implemented by the government since the beginning of last year.

Like last year, the regulatory environment and bureaucratic inefficiency remain the top two investment challenges, with 78% and 75% of respondents worrying about these aspects.

Investment, the second largest contributor to Indonesia’s GDP after household spending, grew slowly to 5.01% in the second quarter, down from the 5.85% expansion recorded in the same period last year, according to data from Statistics Indonesia (BPS).

The indicator contributed to a slowdown in GDP growth in Indonesia, which was recorded at 5.05% in the second quarter, its slowest pace in two years.

At the same time, higher foreign direct investment (FDI) is needed to ensure a lower risk of capital outflows in a volatile global market in the future, Destry said.

In July, capital inflows to Indonesia amounted to 170.1 trillion rupees (US $ 12 billion) in the form of stocks and sovereign bonds.

“It will be better if it is supported by high FDI,” said the former economist at Bank Mandiri. (aspic)

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Stone wall

The Orchid and the Great Stone Wall – The Diplomat


The more Beijing seizes Hong Kong, the more its control slips.

Police officers armed with batons and shields shout at protesters during a protest at Hong Kong airport on August 13, 2019.

Credit: AP Photo / Vincent Yu

Xi Jinping is a beset man, fighting on all fronts. The terror and lies of its ethnic cleansing of the Turkish peoples in western China continues at a rapid pace. Across the country, repression has reached levels not seen since the days of Mao Zedong’s disastrous campaigns. Abroad, Beijing’s threats and ploys are now regularly exposed, driving out Taiwan while presaging the treatment China’s neighbors could receive if the current regime grows unchecked. There seems to be no place for the Chinese Supreme Leader to find refuge.

Enter the Hong Kong protesters. Exasperated by a proposed extradition law, one more step in Beijing’s gradual erosion of Hong Kong’s special status, its citizens took to the streets to demonstrate. The Chinese authorities are said to have coordinated with the Hong Kong triads to suppress the protesters (working with organized crime rackets seems to come easily to the Chinese Communist Party). So far, however, all efforts by the Hong Kong government, police and others – including the mainland police covertly brought in to suppress the protests – have been insufficient to suppress the people’s defense of their rights. So Hong Kong and the world are waiting to see if Xi will order his mighty and numerous armed forces to crush the protesters.

Mao said that political power arises from the barrel of a gun. But Confucius insisted that true rule comes through law and virtue, echoing Zechariah’s warning: “Neither by force nor by power. There is no doubt that the power of Mao and Xi can subdue the masses for a while. But as long as people cherish freedom, Xi’s coercion and tyranny will eventually fail, just like Mao’s.

Even if Xi’s strategy is successful, it means the abject suppression of independent thought among the entire Chinese population, hampering the Chinese economy. In addition, the world is starting to crack down on an increasingly earthy China. Violently suppressing Hong Kong would belittle all that remains of Beijing’s credibility and potentially turn China into a pariah state, a far bigger setback than after the Tiananmen massacre in 1989.

Hong Kong people are known for their business acumen, not their politics. If Beijing’s encroachments hadn’t started to pinch them seriously, they would have been pretty quiet. And as Hong Kong and Taiwan have shown, there is no contradiction between Chinese civilization and democratic governance. Thus, Beijing’s attempt to suppress Hong Kong is an arbitrary decision by Xi, and not a requirement of the situation.

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Beijing equates peaceful protests with “terrorism,” suggesting that there is no lie so wrong that they won’t tell it, and perhaps there is no crime so despicable as they are. will not do it. Given its prodigious capacity for violence, it is perhaps only a mad hope that prompts Hong Kong people to face government bullets with their own flesh.

Hong Kong people have made their point. Xi’s solution is to accede to their demands and allow them to be patriotic citizens in their own way. A city that has been independent for a long time is not a threat to the Chinese Communist Party. But a second Tiananmen massacre could be.

The views expressed in this article represent the personal views of the author and are not necessarily those of the Department of Defense or the Department of the Air Force.

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Stone piece

Rochdale News | News headlines | Set in Stone: A Piece of Transportation History Returns to Rochdale

Date published: December 11, 2018

A piece of transportation history has been officially unveiled in Rochdale.

A memorial stone, originally placed in the wall of the Yelloway Motor Services Travel Center in 1969, is now once again on permanent display at Rochdale City Council’s Riverside Number One, near its original location.

The memorial stone was laid in memory of the founder of Yelloway Motor Services Herbert Allen, by his son Hubert who succeeded him as general manager in 1956. It was saved by John Whitworth, a former Yelloway driver, during the demolition of the famous site in the 1980s with the help of Touchstones. After being in storage for several years, it has been carefully restored.

For generations of Rochdale residents, Yelloway Motor Services has been synonymous with day trips, shore excursions, and summer coach vacations. For decades, the travel agency has run a thriving coach business from its base in downtown Weir Street, now home to the Number One Riverside and the Borough’s Central Library.

The restored stone was officially unveiled by Joy Parker (née Allen), daughter of Hubert Allen along with other family members and head of council Allen Brett.

The stone is unveiled on the ground floor of Number One Riverside.  (Left to right) Helen Scott, Steve Buckley, Councilor Janet Emsley, Natalie Jewell, Joy Parker, Paul Blackburn.  Before - Fiona Parker and Joshua Jewell.
The stone is unveiled on the ground floor of Number One Riverside. (Left to right) Helen Scott, Steve Buckley, Councilor Janet Emsley, Natalie Jewell, Joy Parker, Paul Blackburn. Before – Fiona Parker and Joshua Jewell

Joy Parker said: “It’s nice to see the stone on display again and the family are very proud to see this piece of history come to life. I want to thank the council for producing the plinth and exhibiting the stone, and kudos to Steve Buckley, Paul Blackburn and John Whitworth for helping to save and restore it.

Council chief Allen Brett said, “Yelloway is a beloved name in our local history, hosting thousands of trips to popular beach resorts during their heyday in the 1950s, 1960s and 1970s. very happy to meet the family, to remember the good old days and I am delighted that this memorial stone has been restored and on display again.

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Stone art

Margaret Lloyd draws on Welsh heritage for her works on slate

What better way to express your thoughts and feelings than to put them down on paper? Artist Margaret Lloyd says engraving them in pure Welsh slate makes self-expression much more satisfying.

Lloyd, a native of Wales who now lives in Florence, brought her passionate spirit and more than capable hands to the United States years ago, and she has since produced a plethora of works of art, from the poetry in painting, representing the physical beauty and historical richness of his country of origin.

A collection of his Welsh-inspired slates – watercolors and prints on pieces of slate – which also represents his passion for Wales is now on display in the Burnett Gallery at Jones Library in Amherst until December 30.

Although Lloyd spent most of her life in the United States, Welsh culture runs just as deeply in her blood as when she spent her early childhood in Wales, after being born in Liverpool, England. She was very young when her Welsh parents decided to move to America, but luckily the migration did not affect her connection to Wales: her family settled in a Welsh community in the north of the state of New York.

There his father worked as a pastor in a church where he preached in Welsh. “My parents were going to return to Wales after five years. They came here and did not come back, ”she said.

Lloyd’s connection to Welsh culture remained strong even when she left home for the University of Rochester in New York City, where she met her husband. Lloyd says their relationship only fueled the fire of Welsh passion within each of them.

“The back and forth between us was right there,” she said. “He’s not Welsh by blood, but he’s a Welsh medievalist. He published and translated books on medieval poetry in Wales. He was also a Welsh language teacher at Smith, UMass and Harvard.

Until two years ago, Lloyd taught creative and advanced writing classes at Springfield College, and she chaired the school’s humanities department for about 20 years. Today, she devotes her days to art.

“I decided I wanted to live a fully creative life and stopped teaching,” she said. “I was able to really devote myself to my artistic work, and that’s when this brand new slate project started to blossom.

Slate as an artistic muse

Lloyd never planned to be a visual artist, let alone a full-time artist – she published four volumes of poetry, an art form that had been her calling since she was a little girl. But as her interest in painting increased, she decided to learn more about it by reading books and studying other artists.

“At first I was amazed at how much I liked it,” Lloyd said. “I’m not a painter at all, but watercolor is a wonderful medium because you can’t control it completely. It shows you where to go.

She now devotes her time to painting, engraving and writing poetry, and using the three mediums in collaboration. For “Slateworks,” her exhibition in Amherst, she drew inspiration from the country’s historic slate mining industry and her family’s connection to it.

“My family was very involved in the slate industry in Wales, and still is,” said Lloyd. “I probably had quarrymen and slate miners in my past. I’m sure I did. My grandfather started out as a slate engraver and then ended up owning mines in Wales. I have always had slate in my life because of this.

The mining industry became important in Wales in the 19th century and continued until the middle of the 20th century. The mountainous country provided rich deposits for the coal, diamond, iron and slate mines.

“It was a very dangerous job, like any mining operation, and that’s part of why I’m interested in it,” Lloyd said. “A lot of people have silicosis [from inhaling slate dust]. But it is a huge and important part of Welsh culture, as well as Welsh economic life.

Lloyd’s paintings in “Slateworks” explore a number of Welsh themes, from paintings of historical images such as the slate fences and worn boots of slate workers, to replicas of works of art found in the medieval Welsh books. The paints are not on the immediate surface of the slate – she hand carves cavities in the stone and inserts the watercolors into them, then covers the paints with wax to protect them.

Art isn’t just in what Lloyd creates, however; she also selects and collects all the slate she uses by hand.

“I bring back slate from Wales which I find … there is a lot of it lying around in the garbage piles,” she noted. “It makes my suitcase very heavy. But I also use scrapped Vermont roofing slate, and roofing slate that a friend of mine gives me. I like to reuse something that has been thrown away.

Not all slates are the same, she adds: the color, on the one hand, varies depending on the origin of the slate.

“It’s really interesting, the geological strata are actually the same,” she said of Welsh and Vermont slate. “I brought it back last summer,” she added, pointing to a piece of purple Welsh slate covered in watercolor. “I was looking for different colors, because a lot of the Vermont slate I have is gray.”

Nor are there two pieces of slate of the same shape. Lloyd’s collection ranges from almost perfectly square slabs to more jagged pieces, to large rectangular segments large enough to hold two paintings. She is often inspired by the shapes of slate and creates her paintings around them.

The rich history of Wales is not the only source of inspiration for Lloyd’s exhibition work. She says the rugged beauty of the country also prompted her to put the brush on paper.

“I love the landscape of Wales. It is an incredibly beautiful country, ”she said. “When I first started painting I was in Colorado painting mountains that I had never painted before. [But] I was suddenly painting Welsh landscapes.

“So it was, at first, all subliminal,” Lloyd continued. “It was like I was doing something out of my desire for Wales and my desire for privacy with my country. When I am here I aspire to Wales. And then when I’m in Wales, I want to be here.

“I think it’s very important to have a creative life with imaginative thinking,” Lloyd said in conclusion. “It’s just as important as critical thinking. Now that I no longer have to work and be an administrator – which was very precious – I feel very privileged to explore the imagination, the divine, eternal imagination.

“Slateworks” will be on display at the Burnett Gallery at the Jones Library until December 30th. All exhibits will be for sale. For kitchen hours and additional information, visit Additional information on Margaret Lloyd is available at

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Stone art

Michael Stone art exhibition organizers regret injuries caused by hosting event

The organizers of the Michael Stone art exhibition say they regret the harm done to the family of the late Dermot Hackett by organizing the event for the loyalist killer.

The exhibit took place inside the East Belfast Reach UK community project, which was set up by former members of the paramilitary group Red Hand Commando.

The group says it supports initiatives from all sections of the community and has been asked to consider hosting a free week-long exhibition of artwork from the Stone’s Milestones collection.

Robin Stewart of Project Reach was pictured standing next to Stone at the show’s launch last month. He said the organization had offered space to host the 25 works of art and a free opening night in mid-July.

“The nature of the request was to exhibit some of Michael’s works and at the same time to publicize the Prison Arts Foundation,” he said.

“We discussed the possibility of this exhibition being controversial, but Michael wanted it to be a low-key event.”

Mr Stewart added: “We regret the hurt and pain caused. Michael also recognizes the hurt his past actions have caused and he understands how this can impact the families of the victims.

“He is an artist who is in prison but will soon be released. All prisoners, whether trade unionists or nationalists, have limited options on how they are going to reintegrate into society and art is preparing Michael for this. He shows the other prisoners that there is hope for them when they are released and rehabilitated so that they do not reoffend. “

Since news of Stone’s art exhibit came to light, Mr Stewart said there has been renewed interest in the exhibit.

“We sold a number of paintings at the launch and today received more emails from people locally and across the UK looking to come and view the works with an interest in buying. Some of them they can be people genuinely interested in art or because of who the artist is. “

Stone (second from left) at the opening of his exhibition as he left Maghaberry prison at night

Stone leading his attack on Milltown Cemetery in March 1988

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Stone art

Grand Secretary of the Order of Orange, Mervyn Gibson, defends his participation in Michael Stone’s artistic event

THE Grand Secretary of the Order of Orange defended the decision to attend an art exhibition in Belfast opened by convicted killer Michael Stone.

Mervyn Gibson was among the public figures pictured at the event last month.

Stone, who was convicted of killing six people during the unrest, opened the exhibit – which included a number of his paintings – on a temporary unattended exit from Maghaberry Prison.

‘Milestones 2018’, exhibiting works by ‘East Belfast artists Michael and Karan Stone’, opened on July 9 at the Reach Project on Newtownards Road.

Other attendees included former DUP assembly member Sammy Douglas and DUP adviser George Dorrian.

Mr. Gibson said he went there as “a local minister and also a community activist involved in peacebuilding for many years.”

Cartoon by Ian Knox from August 10, 2018

He told BBC Radio Ulster’s Talkback show that he supported the Order of Orange’s decision not to meet Sinn Féin and that there was “no inconsistency for me, as individual, to go to such an exhibition “.

“Over the years, I have met many senior Sinn Féin officials who were terrorists, and I do so in the interest of progress and peace building.”

The DUP also declared that “Councilor Dorrian, like all representatives of the DUP, condemns all acts of terrorism, including the evil acts committed by Michael Stone”.

Roddy Hackett, whose 37-year-old brother Dermot was murdered by Stone in Co Tyrone in 1987, said his family should have been told he was on bail.

Stone was held back by security personnel in a botched attack on the Parliament Buildings in 2006. Photo by Mal McCann

“I would hate to think that part of my immediate family walked up the street in Belfast and saw him walking towards them,” he said.

“I think it would be a terrible shock to them, especially to Dermot’s family.

“It’s just that they let us know.”

Bread server Dermot Hackett was found dead in his van between Drumquin and Omagh in 1987

The prison administration said victims must register with a special program before receiving information about a prisoner’s release date or any period of temporary release.

In 1988, Stone made headlines around the world when he murdered mourners Thomas McErlean, John Murray and Kevin Brady in a gun and grenade attack at the Republican funeral in the Milltown cemetery.

The murders came after the murders of Mr Hackett in 1987, Kevin McPolin in Lisburn in 1985 and milkman Patrick Brady in south Belfast in 1984.

He was sentenced to 30 years in prison for the six murders and released on license under the 1998 Good Friday Agreement, but was returned to prison after a botched attack on the Parliament Buildings in 2006.

Armed with explosives and other weapons, he attempted to get inside and kill Martin McGuinness and Gerry Adams.

In 2013, it was decided that at least 30 years should be served for the Milltown murders.

Money raised from last month’s show was to be donated to Muscular Dystrophy UK.

However, the charity said yesterday that it would not accept the donation because it “was not aware that Mr Stone had exhibited works at the Milestones exhibition.”

Jim Wilson, president of the Reach Project, said Stone “had a past, now he hopes for a different future.”

“I think it was (David) Trimble who said, if you have a past, that doesn’t mean you can’t have a future. If this man is entering a new phase of his life, he should be. authorized to do so. “

He added: “I understand the pain and the pain that Michael may have imposed on other families, but it has also happened on our end.”

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